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And Everything Else, by HA! (Home Affairs)

  Statement: The idea of the maternal as a historically and socially constructed process is a relatively recent theme in feminist art and thought, emerging in politically engaged work in the 1960s and ’70s. In the United States, this topic

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Portfolio
Places, by elementWo

1.PLACES_ElementWo

Statement: A terrorist organization has become a state. A very particular one, with borders defined by an invisible conflict and with a heterogeneous population, Western and Eastern at the same time. This is ISIS, the mysterious Islamic State of Iraq

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Portfolio
Bad Selections by Andre Bradley

    Statement: Malcolm X was assassinated on February 21, 1965. He was shot by Thomas Hagan, a twenty-two-year-old black man, seven days before my mother was born. Alex Haley and Malcolm X’s The Autobiography of Malcolm X was published the same year, and

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Portfolio
Peepholes, Puppets, and Collage by Laurie O’Brien and Doug Harvey

Obrien04

Statement: For this project, I am interested in our world, which is becoming both increasingly more connected and more distant. Since September of 2014, I worked with photographs from the Soibelman Syndicate News Agency Archive at Visual Studies Workshop to create collages that displace

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Portfolio
Occupation by Meredith Davenport

Davenport04

Statement: I am interested in how news images and narratives enter into our internal emotional lives. I investigate notions of truth in the document, and how news photographs and media stories carry other messages beyond their intended informational content. I like to exploit uncanny

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Portfolio
(In)Voluntary Memory by Alysia Kaplan and Ashwin Manthripragada

Kaplan05

Statement: The hypothesis of the imaginative consciousness is radically different from the hypothesis of a consciousness of the real. This means that the type of existence of the object of the image, as long as it is imagined, differs in nature from the

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Portfolio
Live Aboard
Ingvild Melberg Eikeland

Statement: Opened at the turn of the nineteenth century, the Grand Canal and the Royal Canal served Dublin, Ireland, with freight and passenger transport up until the early 1960s, when developments in rail and road transportation made the canals redundant.

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Portfolio
The New Town, by Andrew Hammerand

Statement: The New Town is a series of photographs made throughout 2013 that examine an idealized planned community in the American Midwest. The images were made by accessing a publicly available, networked CCTV camera that was installed by the town’s

Posted in Portfolios from the Issue

Portfolio
Out West, by Kyler Zeleny

Statement: These images are a part of a project documenting small rural communities (one thousand inhabitants or fewer) in the Canadian West. As demographic changes—“rural drain, urban claim”—persist, many would argue that the rural is becoming redundant in a world that is increasingly concerned with

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Portfolio
Many Rooms, by Bill O’Donnell

Statement: These pictures were shot in a rusting tin dollhouse. The setting is a laboratory for the study of the three primary concerns of the Western philosophical tradition: Knowledge, Conduct, and Governance. How do we know what we know? How might one live

Posted in Portfolios from the Issue

FROM THE ISSUE

Current Issue, Vol. 45, no. 4

PORTFOLIO
Shrukk (Knot) by Mudabbir Ahmad Tak


EXHIBITION REVIEW
Henri Cartier-Bresson: The Decisive Moment / Elliott Erwitt: Pittsburgh 1950 by Marjorie Backman

PREVIOUS ISSUE
Vol. 45, nos. 2 &3



PORTFOLIO
Citizen by Michael Danner


PORTFOLIO
Shame by Elissa Levy

ONLINE EXCLUSIVES


REPORT
Image Text Ithaca Symposium


FEATURE
Film as Verb: Documentary Imperfection in the Post-Factual Era by Gabrielle McNally


DOSSIER
Speculations and Inquiries on New Participatory Documentary Environments


DOSSIER
Toward a Theory of Participatory New Media Documentary


DOSSIER
Documentary Untethered, Documentary Becoming


DOSSIER
Collaborative Documentary Practice: Histories, Theories, Practices

DOUBLE EXPOSURE

Silos by Andria Hickey and Matthew Chasney

INKLIGHT
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