Media Received, Afterimage Vol. 45, No. 5

BOOKS

2016 in Museums, Money, and Politics, by Andrea Fraser. Westreich Wagner Publications in association with the CCA Wattis Institute for Contempoary Art and MIT Press/943 pp./$125.00 (sb).

Architectures of Revolt: The Cinematic City circa 1968, edited by Mark Shiel. Temple University Press/247 pp./$36.95 (sb).

Art and Theory of Post–1989 Central and Eastern Europe: A Critical Anthology, edited by Ana Janevski, Roxana Marcoci, and Ksenia Nouril. Duke University Press (MoMA Primary Documents series)/408 pp./$40.00 (sb).

Conceptual Art Book, edited and designed by Nina Slejko Blom and Conny Blom. Conceptual Art Centre Bukovje/250 pp./free of charge (sb).

Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar. University of Minnesota Press/300 pp./$28.00 (sb).

Double Negative: Black Image and Popular Culture, by Racquel J. Gates. Duke University Press/236 pp./$24.95 (sb).

Engendering an Avant-Garde: The Unsettled Landscapes of Vancouver Photo-Conceptualism, by Leah Modigliani. Manchester University Press/279 pp./$96.00 (hb).

Failed Images: Photography and Its Counter-Practices, by Ernst van Alphen. Valiz/285 pp./$33.00 (sb).

Object Lessons: Zofia Rydet’s Sociological Record, edited by Krzysztof Pijarski. Museum of Modern Art in Warsaw/380 pp./$35.00 (sb).

Psychoanalyst Meets Marina Abramović: Artist Meets Jeannette Fischer, by Marina Abramović and Jeannette Fischer. Scheidegger & Spiess/168 pp./$20.00 (hb).

Sculptural Photographs: From the Calotype to Digital Technologies, by Patrizia Di Bello. Bloomsbury Visual Arts/195 pp./$114.00 (hb).

Transcendental Style in Film: Ozu, Bresson, Dreyer, by Paul Schrader. University of California Press/218 pp./$29.95 (sb).

MONOGRAPHS

Dawoud Bey: Seeing Deeply, texts by Sarah Lewis, et al. University of Texas Press/394 pp./$65.00 (hb).

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FROM THE ISSUE

Current Issue, Vol. 45, no. 5

PORTFOLIO
Xilunguine by Paul Castro

PREVIOUS ISSUE
Vol. 45, no.4



PORTFOLIO
Shrukk (Knot) by Mudabbir Ahmad Tak

ONLINE EXCLUSIVES


REPORT
Image Text Ithaca Symposium


FEATURE
Film as Verb: Documentary Imperfection in the Post-Factual Era by Gabrielle McNally


DOSSIER
Speculations and Inquiries on New Participatory Documentary Environments


DOSSIER
Toward a Theory of Participatory New Media Documentary


DOSSIER
Documentary Untethered, Documentary Becoming


DOSSIER
Collaborative Documentary Practice: Histories, Theories, Practices

DOUBLE EXPOSURE

Silos by Andria Hickey and Matthew Chasney

INKLIGHT
Inklight is a meeting place for words and images. We invite photographers to submit their work and writers to respond creatively. MORE…
ARTICLE SEARCH
Looking for something? Search our vast article archive by title, author, issue, or keyword. MORE…
PORTFOLIO ARCHIVE
Each issue, Afterimage invites visual artists to create a portfolio of their work. Presented here is a growing archive of these artists’ portfolios. MORE…
NOTICES
Browse hundreds of media art events, grants, fellowships, and opportunities. MORE…

BACK ISSUES
Over forty years of Afterimage back issues and individual articles are available for purchase!

PREVIOUS ISSUE
Vol. 45, nos. 2 & 3

Afterimage online is supported, in part, by public funds from the New York State Council on the Arts.