2016 in Museums, Money, and Politics, by Andrea Fraser. Westreich Wagner Publications in association with the CCA Wattis Institute for Contempoary Art and MIT Press/943 pp./$125.00 (sb).
Architectures of Revolt: The Cinematic City circa 1968, edited by Mark Shiel. Temple University Press/247 pp./$36.95 (sb).
Art and Theory of Post–1989 Central and Eastern Europe: A Critical Anthology, edited by Ana Janevski, Roxana Marcoci, and Ksenia Nouril. Duke University Press (MoMA Primary Documents series)/408 pp./$40.00 (sb).
Conceptual Art Book, edited and designed by Nina Slejko Blom and Conny Blom. Conceptual Art Centre Bukovje/250 pp./free of charge (sb).
Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar. University of Minnesota Press/300 pp./$28.00 (sb).
Double Negative: Black Image and Popular Culture, by Racquel J. Gates. Duke University Press/236 pp./$24.95 (sb).
Engendering an Avant-Garde: The Unsettled Landscapes of Vancouver Photo-Conceptualism, by Leah Modigliani. Manchester University Press/279 pp./$96.00 (hb).
Failed Images: Photography and Its Counter-Practices, by Ernst van Alphen. Valiz/285 pp./$33.00 (sb).
Object Lessons: Zofia Rydet’s Sociological Record, edited by Krzysztof Pijarski. Museum of Modern Art in Warsaw/380 pp./$35.00 (sb).
Psychoanalyst Meets Marina Abramović: Artist Meets Jeannette Fischer, by Marina Abramović and Jeannette Fischer. Scheidegger & Spiess/168 pp./$20.00 (hb).
Sculptural Photographs: From the Calotype to Digital Technologies, by Patrizia Di Bello. Bloomsbury Visual Arts/195 pp./$114.00 (hb).
Transcendental Style in Film: Ozu, Bresson, Dreyer, by Paul Schrader. University of California Press/218 pp./$29.95 (sb).
Dawoud Bey: Seeing Deeply, texts by Sarah Lewis, et al. University of Texas Press/394 pp./$65.00 (hb).