Media Received: Afterimage Vol. 45, Nos. 2 & 3

BOOKS

And Now: Architecture Against a Developer Presidency: Essays on the Occasion of Trump’s Inauguration, edited by the Avery Review. Columbia Books on Architecture and the City/256 pp./$20.00 (sb).

Authenticity? Observations and Artistic Strategies in the Post-Digital Age, edited by Barbara Cueto and Bas Hendrikx.Valiz/160 pp./$24.00 (sb).

Contemporary Art and Digital Culture, by Melissa Gronlund. Routledge/220 pp./$39.95 (sb).

Culture War: Affective Cultural Politics, Tepid Nationalism, and Art Activism, by Camilla Møhring Reestorff. Intellect/327 pp./$51.50 (sb).

Digital Resistance in the Middle East: New Media Activism in Everyday Life, by Deborah L. Wheeler. Edinburgh University Press/194 pp./$27.00 (ebook).

Ecstatic Worlds: Media, Utopias, Ecologies (Leonardo Book Series), by Janine Marchessault. MIT Press/355 pp./$35.00 (hb).

Evaluating Media Bias, by Adam J. Schiffer. Rowman & Littlefield/150 pp./$27.00 (sb).

Fandom: Identities and Communities in a Mediated World, 2nd ed., edited by Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington. New York University Press/437 pp./$30.00 (sb).

Media Activism in the Digital Age, edited by Victor Pickard and Guobin Yang. Routledge/231 pp./$39.95 (sb).

Post-Truth: How Bullshit Conquered the World, by James Ball. Biteback Publishing/306 pp./$15.95 (sb).

Public Policies in Media and Information Literacy in Europe: Cross-Country Comparisons, edited by Divina Frau-Meigs, Irma Velez, and Julieta Flores Michel. Routledge/304 pp./$39.95 (sb).

Twitter and Tear Gas: The Power and Fragility of Networked Protest, by Zeynep Tufekci. Yale University Press/326 pp./$26.00 (hb).

What Journalism Could Be, by Barbie Zelizer. Polity/328 pp./$24.95 (sb).

EXHIBITION CATALOGS

What Does the Image Stand For?, edited by Ami Barak. Published in conjunction with the 2017 edition of Momenta: Biennale de l’image, held in approximately fifteen sites across Montreal, Sept. 7–Oct. 15, 2017. Kerber/176 pp./$45.00 (hb).

DVDS

Art of the Prank, directed by Andrea Marini, produced by Andrea Marini, Judy Drosd, and Michele Malfetta. Relight Films/85 min/$295.00 (colleges/businesses/other institutions); $89.00 (K-12 schools/public libraries).

How to Start a Revolution, directed by Ruaridh Arrow, produced by Richard Shaw. The Big Indy in association with Lion TV/82 min/$250.00 (colleges/universities); $125.00 (high-schools/nonprofits); $6.00 (digital download).

Posted in Media Received

FROM THE ISSUE

Current Issue, Vol. 45, nos. 2 & 3

PORTFOLIO
Citizen by Michael Danner


PORTFOLIO
Shame by Elissa Levy


PORTFOLIO
An Empty Field by Elisabeth Tonnard

PREVIOUS ISSUE
Vol. 45, no. 1




PORTFOLIO
Beyond The Drama by Saara Mäntylä

ONLINE EXCLUSIVES


REPORT
Image Text Ithaca Symposium


FEATURE
Film as Verb: Documentary Imperfection in the Post-Factual Era by Gabrielle McNally


DOSSIER
Speculations and Inquiries on New Participatory Documentary Environments


DOSSIER
Toward a Theory of Participatory New Media Documentary


DOSSIER
Documentary Untethered, Documentary Becoming


DOSSIER
Collaborative Documentary Practice: Histories, Theories, Practices

DOUBLE EXPOSURE

Silos by Andria Hickey and Matthew Chasney

INKLIGHT
Inklight is a meeting place for words and images. We invite photographers to submit their work and writers to respond creatively. MORE…
ARTICLE SEARCH
Looking for something? Search our vast article archive by title, author, issue, or keyword. MORE…
PORTFOLIO ARCHIVE
Each issue, Afterimage invites visual artists to create a portfolio of their work. Presented here is a growing archive of these artists’ portfolios. MORE…
NOTICES
Browse hundreds of media art events, grants, fellowships, and opportunities. MORE…

BACK ISSUES
Over forty years of Afterimage back issues and individual articles are available for purchase!

PREVIOUS ISSUE
Vol. 45, no. 1

Afterimage online is supported, in part, by public funds from the New York State Council on the Arts.