Media Received
Afterimage Vol. 43, no. 6

Books

Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century, by Kate Eichhorn. MIT Press/201 pp./$26.95 (hb).

Afterimages: Photography and U.S. Foreign Policy, by Liam Kennedy. University of Chicago Press/220 pp./$45.00 (hb).

Ambient Media: Japanese Atmospheres of Self, by Paul Roquet. University of Minesota Press/245 pp./$27.50 (sb).

At the End of the Street in the Shadow: Orson Welles and the City, by Matthew Asprey Gear. Wallflower Press/292 pp./$30.00 (sb).

Bad New Days: Art, Criticism, Emergency, by Hal Foster. Verso/196 pp./$26.95 (hb).

Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, by Dora Apel. Rutgers University Press/210 pp./$27.95 (sb).

Berlin Replayed: Cinema and Urban Nostalgia in the Postwall Era, by Brigitta B. Wagner. University of Minnesota Press/299 pp./$30.00 (sb).

A Camera in the Garden of Eden: The Self-Forging of a Banana Republic, by Kevin Coleman. University of Texas Press/312 pp./$27.95 (sb).

Concerning Consequences: Studies in Art, Destruction, and Trauma, by Kristine Stiles. University of Chicago Press/478 pp./$39.00 (sb).

Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television, edited by Amanda Ann Klein and R. Barton Palmer. University of Texas Press/357 pp./$29.95 (sb).

Dada Presentism: An Essay on Art & History, by Maria Stavrinaki, translated by Daniela Ginsburg. Stanford University Press /107 pp./$18.95 (sb).

Dark Space: Architecture, Representation, Black Identity, by Mario Gooden. Columbia Books on Architecture and the City/137 pp./$20.00 (sb).

Dirty Words & Filthy Pictures: Film and the First Amendment, by Jeremy Geltzer. University of Texas Press/370 pp./$85.00 (hb).

The Early American Daguerreotype: Cross-Currents in Art and Technology, by Sarah Kate Gillespie. MIT Press/213 pp./$31.95 (hb).

Flood of Images: Media, Memory, and Hurricane Katrina, by Bernie Cook. University of Texas Press/404 pp./$29.95 (sb).

Hellboy’s World: Comics and Monsters on the Margins, by Scott Bukatman. University of California Press/263 pp./$24.95 (sb).

Jews and Photography in Britain, by Michael Berkowitz. University of Texas Press/358 pp./$45.00 (hb).

Obstruction, by Nick Salvato. Duke University Press/263 pp./$24.95 (sb).

Picturing, edited by Rachael Z. DeLue. Terra Foundation for American Art/216 pp./$24.95 (sb).

Playing War: Military Video Games after 9/11, by Matthew Thomas Payne. New York University Press/273 pp./$28.00 (sb).

Postcard America: Curt Teich and the Imaging of a Nation: 1931–1950, by Jeffrey L. Meikle. University of Texas Press/508 pp./$45.00 (hb).

Repainting the Walls of Lunda: Information Colonialism and Angolan Art, by Delinda Collier. University of Minesota Press/253 pp./$25.00 (sb).

A Year in Photography: Magnum Archive, edited by Magnum Photos. Prestel/751 pp./$22.50 (hb).

Monographs

E.G. Barnhill: Florida Photographer, Adventurer, Entrepreneur, by Gary Monroe. University Press of Florida /125 pp./$34.95 (hb).

Facing Change: Documenting America, by Leah Bendavid-Val. Prestel/251 pp./$60.00 (hb).

Jacob A. Riis: Revealing New York’s Other Half: A Complete Catalogue of His Photographs, by Bonnie Yochelson. Yale University Press in association with the Museum of the City of New York and the Library of Congress/336 pp./$65.00 (hb).

Lee Miller: Photography, Surrealism, and Beyond, by Patricia Allmer. Manchester University Press/255 pp./$110.00 (hb).

The Light of Coincidence: The Photographs of Kenneth Josephson, with texts by Gerry Badger and Lynne Warren. University of Texas Press/331 pp./$75.00 (hb).

Look into My Eyes: Nuevomexicanos por Vida, ’81–’83, photographs by Kevin Bubriski, with text by Miguel Gandert. Museum of New Mexico Press/$39.95/139 pp. (hb).

Pavel Dias: Photographs 1956–2015, by Filip Láb and Jan Havel. Karolinum Press, Charles University/254 pp./$35.00 (hb).

Selma 1965: The Photographs of Spider Martin, edited by Amy K. Bowman, with texts by Don Carleton and Douglas Brinkley. Dolph Briscoe Center for American History/115 pp./$40.00 (hb).

Solomon D. Butcher: Photographing the American Dream, by John E. Carter. University of Nebraska Press/143 pp./$29.95 (sb).

Stories from the Camera: Reflections on the Photograph, edited by Michele M. Penhall. University of New Mexico Press/222 pp./$50.00 (hb).

Wilderness to Wasteland, by David T. Hanson, with texts by Joyce Carol Oates and Miles Orvell. Taverner Press/191 pp./$55.00 (hb).

Exhibition catalogs

F.C. Gundlach Collection, edited by Bruno Brunnet. Published in conjunction with the exhibition The F.C. Gundlach Collection: “The medium of photography is entitled to be thought-provoking” at Contemporary Fine Arts, Berlin, June 19–August 14, 2015. Hirmer Verlag in association with Contemporary Fine Arts, Berlin/177 pp./$55.00 (hb).

Germaine Krull, by Michel Frizot. Published in conjunction with the exhibition Germaine Krull (1897–1985): A Photographer’s Journey at the Jeu de Paume, Paris, June 2–Sept. 27, 2015 and at the Martin-Gropius-Bau, Berlin, Oct. 15, 2015–Jan. 31, 2016. Éditions Hazan/263 pp./$60.00 (sb).

Hanne Darboven: Enlightenment–Time Histories: A Retrospective, edited by Okwui Enwezor and Rein Wolfs. Published in conjunction with the exhibitions Hanne Darboven: Time Histories at the Bundeskunsthalle, Bonn, Sept. 11, 2015–Jan. 17, 2016; and Hanne Darboven: Enlightenment, at the Haus der Kunst, Munich, Sept. 18, 2015–Feb. 14, 2016. Prestel in association with Bundeskunsthalle and Haus der Kunst/351 pp./$60.00 (hb).

Lynn Hershman Leeson: Civic Radar, edited by Peter Weibel. Published in conjunction with the exhibition of the same name at ZKM | Center for Art & Media Karlsruhe, Dec. 13, 2014–April 6, 2015; Deichtorhallen Hamburg/Falckenberg Collection, Hamburg, June 13, 2015–Jan. 17, 2016; and under the title Lynn Hershman Leeson: Liquid Identities at the Lehmbruck Museum, Duisburg, Feb. 27–June 5, 2016. Hatje Cantz in association with ZKM | Center for Art & Media Karlsruhe/383 pp./$70.00 (hb).

Robert Irwin: All the Rules Will Change, edited by Evelyn C. Hankins, with texts by Robert Irwin, et. al. Published in conjunction with the exhibition of the same name at the Hirshhorn Museum & Sculpture Garden, Washington, DC, April 7–Sept. 5, 2016. DelMonico Books/Prestel in association with the Hirshhorn Museum & Sculpture Garden/176 pp./$49.95 (hb).

The Roof Garden Commission: Pierre Huyghe, by Ian Alteveer, Meredith Brown, and Sheena Wagstaff. Published in conjunction with the exhibition of the same name at the Metropolitan Museum of Art, New York, May 12–Nov. 1, 2015. Metropolitan Museum of Art/63 pp./$9.95 (sb).

 

Posted in Media Received

FROM THE ISSUE

Current Issue, Vol. 45, no. 1

PORTFOLIO
Beyond The Drama by Saara Mäntylä

PREVIOUS ISSUE
Vol. 44, no.6



PORTFOLIO
Congratulations and Celebrations by Ellen Lesperance

ONLINE EXCLUSIVES


REVIEW
Wish for Amnesia by Barbara Rosenthal


DOSSIER
Speculations and Inquiries on New Participatory Documentary Environments


DOSSIER
Toward a Theory of Participatory New Media Documentary


DOSSIER
Documentary Untethered, Documentary Becoming


DOSSIER
Collaborative Documentary Practice: Histories, Theories, Practices


EXHIBITION REVIEW
Sondra Perry: flesh out


EXHIBITION REVIEW
Zach Nader: stage blind

DOUBLE EXPOSURE

Of the Appalachian Diaspora Text by Stephen J. Quigley
Photographs by April L. O'Brien


Outside My Outdoor Shower There Is a Carnival Text by Lisa Annelouise Rentz
Photographs by Michelle Mueller
INKLIGHT
Inklight is a meeting place for words and images. We invite photographers to submit their work and writers to respond creatively. MORE…
ARTICLE SEARCH
Looking for something? Search our vast article archive by title, author, issue, or keyword. MORE…
PORTFOLIO ARCHIVE
Each issue, Afterimage invites visual artists to create a portfolio of their work. Presented here is a growing archive of these artists’ portfolios. MORE…
NOTICES
Browse hundreds of media art events, grants, fellowships, and opportunities. MORE…

BACK ISSUES
Over forty years of Afterimage back issues and individual articles are available for purchase!

PREVIOUS ISSUE
Vol. 44, no. 6

Afterimage online is supported, in part, by public funds from the New York State Council on the Arts.