Media Received
Afterimage Vol. 42, no. 5


Akira Kurosawa, by Peter Wild. Reaktion Books/207 pp./$16.95 (sb).

Argentine, Mexican, and Guatemalan Photography: Feminist, Queer, and Post-Masculinist Perspectives, by David William Foster. University of Texas Press/197 pp./$65.00 (hb).

Cinema, Slavery, and Brazilian Nationalism, by Richard A. Gordon. University of Texas Press/272 pp./$55.00 (hb).

Derek Jarman Super 8, by James Mackay. Thames & Hudson/288 pp./$29.95 (hb).

Emir Kusturica, by Giorgio Bertellini. University of Illinois Press/180 pp./$22.00 (sb).

Green Documentary: Environmental Documentary in the 21st Century, by Helen Hughes. Intellect/175 pp./$36.00 (sb).

Laruelle: Against the Digital, by Alexander R. Galloway. University of Minnesota Press/280 pp./$27.50 (sb).

Magnum Contact Sheets, edited by Kristen Lubben. Thames & Hudson/524 pp./$75.00 (hb).

Mechademia 9: Origins, edited by Frenchy Lunning. University of Minnesota Press/318 pp./$24.95 (sb).

Moments That Made the Movies, by David Thomson. Thames & Hudson/319 pp./$29.95 (sb).

The New Biographical Dictionary of Film: Sixth Edition, by David Thompson. Alfred A. Knopf/1154 pp./$29.95 (sb).

The Past’s Threshold: Essays on Photography, by Siegfried Kracauer, edited by Philippe Despoix and Maria Zinfert. Diaphanes/127 pp./$20.00 (sb).

Porn Archives, edited by Tim Dean, Steven Ruszczycky, and David Squires. Duke University Press/503 pp./$29.95 (sb).

Real Objects in Unreal Situations: Modern Art in Fiction Films, by Susan Felleman. Intellect/203 pp./$28.00 (sb).

Scenes of Projection: Recasting the Enlightenment Subject, by Jill H. Casid. University of Minnesota Press/324 pp./$27.50 (sb).

Spectacular Mexico: Design, Propaganda, and the 1968 Olympics, by Luis M. Castañeda. University of Minnesota Press/301 pp./$35.00 (sb).

Summers of Discontent: The Purpose of the Arts Today, by Raymond Tallis. Wilmington Square Books/190 pp./$14.95 (sb).

A Taste for Brown Sugar: Black Women in Pornography, by Mireille Miller-Young. Duke University Press/368 pp./$27.95 (sb).

TV Museum: Contemporary Art and the Age of Television, by Maeve Connolly. Intellect/332 pp./$43.00 (sb).

Wyoming Revisited: Rephotographing the Scenes of Joseph E. Stimson, by Michael A. Amundson. University Press of Colorado/386 pp./$29.95 (hb).

Yves Klein, by Nuit Banai et al. Reaktion Books/204 pp./$16.95 (sb).


Chuck Close: Photographer, by Colin Westerbeck, with texts by Chuck Close and Terrie Sultan. Prestel/203 pp./$65.00 (hb).

The Home and the World: A View of Calcutta, photographs by Laura McPhee. Yale University Press/159 pp./$50.00 (hb).

Landmark: The Fields of Landscape Photography, by William A. Ewing. Thames & Hudson/256 pp./$65.00 (hb).

Maurice Weiss: Facing Time, edited by Jürgen B. Tesh. Hirmer Verlag/127 pp./$55.00 (hb).

Exhibition catalogs

Aaron Siskind: Another Photographic Reality, by Gilles Mora. Published in conjunction with the exhibition of the same name at Pavillon Populaire, Montpellier, France, Nov. 28, 2014–Feb. 23, 2015. University of Texas Press in association with the Center for Creative Photography/199 pp./$65.00 (hb).

The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980, by Katherine A. Brussard, Alison Fisher, and Greg Foster-Rice. Published in conjunction with the exhibition of the same name at the Art Institute of Chicago, Oct. 26, 2014–Jan. 11, 2015; Princeton University Art Museum, Feb. 21–June 7, 2015. Yale University Press in association with Princeton University Art Museum/271 pp./$50.00 (hb).

Dennis Stock: Time Is On Your Side, texts by Anton Corbijn and Carole Naggar. Published in conjunction with the exhibition of the same name at the Suermondt-Ludwig-Museum, Aachen, Germany, Oct. 30, 2014–Feb. 25, 2015. Prestel/167 pp./$60.00 (hb).

Diary/Landscape, by James Welling. Published in conjunction with the exhibition of the same name at the Art Institute of Chicago, Nov. 1, 2014–April 12, 2015. University of Chicago Press/147 pp./$45.00 (hb).

James Welling: The Mind on Fire, edited by Nigel Prince. Published in conjunction with the exhibition of the same name at MK Gallery, Milton Keynes, UK, Sept. 14–Nov. 25, 2012; Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain, March 22–June 16, 2013; and Contemporary Art Gallery, Vancouver, Nov. 15, 2013–Jan. 12, 2014. DelMonico Books in association with MK Gallery, Centro Galego de Arte Contemporánea, and Contemporary Art Gallery/176 pp./$49.95 (hb).

Larry Sultan: Here and Home, by Rebecca Morse. Published in conjunction with the exhibition of the same name at the Los Angeles County Museum of Art, Nov. 9, 2014–March 22, 2015; Milwaukee Art Museum, Oct. 23, 2015–Jan. 24, 2016; San Francisco Museum of Modern Art Summer 2017. Prestel in association with the Los Angeles County Museum of Art. 207 pp./$50.00 (hb).

Lauren Marsolier: Transition, by W.M. Hunt and Stefan Mattessich. Published in conjunction with the exhibition of the same name at Galerie Richard, Paris, Nov. 15, 2014–Jan. 10, 2015; Galerie Richard, New York City, April 2015; and Robert Koch Gallery, San Francisco, Feb. 6–April 26, 2015. Kerber Verlag/unpaginated/$40.00 (hb).

Martin Parr: We Love Britain!, by Martin Parr. Published in conjunction with the exhibition of the same name at Sprengel Museum Hannover, Germany, Oct. 18, 2014–Feb. 22, 2015. Schirmer/Mosel in association with Sprengel Museum Hannover/125 pp./$39.95 (hb).

Paris: City of Light, photographs by Christopher Thomas, edited by Ira Stehmann. Published in conjunction with the exhibition of the same name at Bernheimer Fine Art Photography, Munich, Germany, Oct. 2–Nov. 15, 2014. Prestel/159 pp./$60.00 (hb).

Paul Strand: Master of Modern Photography, edited by Peter Barberie and Amanda N. Bock. Published in conjunction with the exhibition of the same name at Philadelphia Museum of Art, Oct. 21, 2014–Jan. 4, 2015; Fotomuseum Winterthur, Switzerland, March 7–May 17, 2015; Fundación MAPFRE, Madrid, Spain, June 3–Aug. 30, 2015; and the Victoria and Albert Museum, London, UK, March 19–July 3, 2016. Yale University Press in association with the Philadelphia Museum of Art/373 pp./$75.00 (hb).

Storyteller: The Photographs of Duane Michals, by Linda Benedict-Jones. Published in conjunction with the exhibition of the same name at the Carnegie Museum of Art, Pittsburgh, Nov. 1, 2014–Feb. 16, 2015; and the Peabody Essex Museum, Salem, Massachusetts, March 14–June 21, 2015. DelMonico Books in association with the Carnegie Museum of Art/239 pp./$75.00 (hb).

Sze Tsung Leong: Horizons, texts by Charlotte Cotton et al. Published in conjunction with the exhibition Horizons at Yossi Milo Gallery, New York, NY, April 3–May 17, 2008. Hatje Cantz/176 pp./$95.00 (hb).


Posted in Media Received


Current Issue, Vol. 45, nos. 2 & 3

Citizen by Michael Danner

Shame by Elissa Levy

An Empty Field by Elisabeth Tonnard

Vol. 45, no. 1

Beyond The Drama by Saara Mäntylä


Image Text Ithaca Symposium

Film as Verb: Documentary Imperfection in the Post-Factual Era by Gabrielle McNally

Speculations and Inquiries on New Participatory Documentary Environments

Toward a Theory of Participatory New Media Documentary

Documentary Untethered, Documentary Becoming

Collaborative Documentary Practice: Histories, Theories, Practices


Silos by Andria Hickey and Matthew Chasney

Inklight is a meeting place for words and images. We invite photographers to submit their work and writers to respond creatively. MORE…
Looking for something? Search our vast article archive by title, author, issue, or keyword. MORE…
Each issue, Afterimage invites visual artists to create a portfolio of their work. Presented here is a growing archive of these artists’ portfolios. MORE…
Browse hundreds of media art events, grants, fellowships, and opportunities. MORE…

Over forty years of Afterimage back issues and individual articles are available for purchase!

Vol. 45, no. 1

Afterimage online is supported, in part, by public funds from the New York State Council on the Arts.