Remembering Beatriz da Costa

Remembering Beatriz da Costa

by Donna Haraway

Beatriz da Costa, our colleague from University of California at Irvine in art/engineering/politics/critical theory, who was also a History of Consciousness graduate student, died on December 27, 2012, in New York City from complications of metastatic breast cancer that had moved to her brain. When she was newly tenured at UCI, Beatriz wanted the space to write about art activisms and critical science studies, and so she used her sabbatical year from her department at Irvine to become a graduate student again in order to have a rich context to read deeply in new materials and to write. She came to HistCon in Fall 2007. She was writing her qualifying exams when she took leave from HistCon to meet the intense and growing demands of her teaching, graduate advising, and research at Irvine. She was an Associate Professor of Studio Art, Electrical Engineering and Computer Science at the University of California Irvine, and most of her teaching was in the Arts, Computation, Engineering (ACE) graduate program.

Some of her better-known projects include works done in collaboration with Critical Art Ensemble, for example, Molecular Invasion, Free Range Grain, and GenTerra; several done with Preemptive Media such as Swipe, Zapped, and Air; and Pigeonblog. With Kavita Philip, she co-edited and introduced the influential book, Tactical Biopolitics: Art, Activism, and Technoscience (MIT Press, 2008). Beatriz’s important essay in that book is “Reaching the Limit: When Art Becomes Science.” See

And then, beginning in 2009, a diagnosis of metastasized breast cancer changed everything. She moved to NYC, where she felt more at home and had better medical options, got a fantastic labradoodle puppy named Lucinha, who flew with her everywhere as her personal companion and therapy dog, and continued to work on myriad projects until a few days before she died.

Beatriz’s last work, Dying for the Other, was done while she was undergoing surgery and chemotherapy. The three-part video is a fascinating triptych, with one stream of images set in a mouse lab where the mice are research animals bearing the same kinds of cancer Beatriz suffered from. Almost all of her work brought other critters (plant and animal), social justice and environmental activists, scientists and engineers, artists, and other intellectuals together around critical questions of suffering and well being. Dying for the Other will be shown at Los Angeles Contemporary Exhibits on April 17. Tying this piece to the core concerns of Beatriz’s internationally respected and very diverse work, Alex Juhasz, Catherine Lord, and Donna Haraway will comment.

Emma Goldman is my guide to feeling in the teeth of the loss of this thirty-eight-year-old vibrant, fierce, publicly engaged, talented woman, who was also my student, friend, and teacher.

Love and rage.

In shared sadness,

Donna Haraway
Distinguished Professor Emerita
UC Santa Cruz

See also
Obituary written by her friend, caretaker, and partner Robert Nideffer

Click here to browse our online news articles

Tagged with: , ,
Posted in In Memoriam, News From The Field, Posts


Current Issue, Vol. 45, no. 5

Xilunguine by Paul Castro

Vol. 45, no.4

Shrukk (Knot) by Mudabbir Ahmad Tak


Image Text Ithaca Symposium

Film as Verb: Documentary Imperfection in the Post-Factual Era by Gabrielle McNally

Speculations and Inquiries on New Participatory Documentary Environments

Toward a Theory of Participatory New Media Documentary

Documentary Untethered, Documentary Becoming

Collaborative Documentary Practice: Histories, Theories, Practices


Silos by Andria Hickey and Matthew Chasney

Inklight is a meeting place for words and images. We invite photographers to submit their work and writers to respond creatively. MORE…
Looking for something? Search our vast article archive by title, author, issue, or keyword. MORE…
Each issue, Afterimage invites visual artists to create a portfolio of their work. Presented here is a growing archive of these artists’ portfolios. MORE…
Browse hundreds of media art events, grants, fellowships, and opportunities. MORE…

Over forty years of Afterimage back issues and individual articles are available for purchase!

Vol. 45, nos. 2 & 3

Afterimage online is supported, in part, by public funds from the New York State Council on the Arts.